{"id":2532,"date":"2025-02-26T07:37:17","date_gmt":"2025-02-26T15:37:17","guid":{"rendered":"https:\/\/www.asmk.ca\/WP\/?p=2532"},"modified":"2025-02-26T07:41:27","modified_gmt":"2025-02-26T15:41:27","slug":"senseofcinema","status":"publish","type":"post","link":"https:\/\/www.asmk.ca\/WP\/senseofcinema\/","title":{"rendered":"Sense of Cinema Review: File No. 2304"},"content":{"rendered":"<div class=\"vce-row-container\" data-vce-boxed-width=\"true\"><div class=\"vce-row vce-row--col-gap-30 vce-row-equal-height vce-row-content--top\" id=\"el-68869bb8\" data-vce-do-apply=\"all el-68869bb8\"><div class=\"vce-row-content\" data-vce-element-content=\"true\"><div class=\"vce-col vce-col--md-auto vce-col--xs-1 vce-col--xs-last vce-col--xs-first vce-col--sm-last vce-col--sm-first vce-col--md-last vce-col--lg-last vce-col--xl-last vce-col--md-first vce-col--lg-first vce-col--xl-first\" id=\"el-2e2ac682\"><div class=\"vce-col-inner\" data-vce-do-apply=\"border margin background  el-2e2ac682\"><div class=\"vce-col-content\" data-vce-element-content=\"true\" data-vce-do-apply=\"padding el-2e2ac682\"><div class=\"vce-single-image-container vce-single-image--align-left\"><div class=\"vce vce-single-image-wrapper\" id=\"el-349a7cc7\" data-vce-do-apply=\"all el-349a7cc7\"><figure><div class=\"vce-single-image-inner vce-single-image--absolute\"><\/div><figcaption hidden=\"\"><\/figcaption><\/figure><\/div><\/div><div class=\"vce-single-image-container vce-single-image--align-left\"><div class=\"vce vce-single-image-wrapper\" id=\"el-6c7f566c\" data-vce-do-apply=\"all el-6c7f566c\"><figure><div class=\"vce-single-image-inner vce-single-image--absolute\" style=\"padding-bottom: 56.25%; width: 1024px;\"><img loading=\"lazy\" decoding=\"async\" class=\"vce-single-image vcv-lozad\" data-src=\"https:\/\/www.asmk.ca\/WP\/wp-content\/uploads\/2025\/02\/Case-2304-Triennale-Voice-Over.00_03_35_19.Still001-1024x576.jpg\" width=\"1024\" height=\"576\" srcset=\"https:\/\/www.asmk.ca\/WP\/wp-content\/uploads\/2025\/02\/Case-2304-Triennale-Voice-Over.00_03_35_19.Still001-320x180.jpg 320w,https:\/\/www.asmk.ca\/WP\/wp-content\/uploads\/2025\/02\/Case-2304-Triennale-Voice-Over.00_03_35_19.Still001-480x270.jpg 480w,https:\/\/www.asmk.ca\/WP\/wp-content\/uploads\/2025\/02\/Case-2304-Triennale-Voice-Over.00_03_35_19.Still001-800x450.jpg 800w,https:\/\/www.asmk.ca\/WP\/wp-content\/uploads\/2025\/02\/Case-2304-Triennale-Voice-Over.00_03_35_19.Still001-1024x576.jpg 1024w\" src=\"\" data-img-src=\"https:\/\/www.asmk.ca\/WP\/wp-content\/uploads\/2024\/06\/Case-2304-Triennale-Voice-Over.00_03_35_19.Still001.jpg\" alt=\"\" title=\"Case 2304 Triennale Voice Over.00_03_35_19.Still001\" \/><noscript>\n        <img loading=\"lazy\" decoding=\"async\" class=\"vce-single-image\" src=\"https:\/\/www.asmk.ca\/WP\/wp-content\/uploads\/2024\/06\/Case-2304-Triennale-Voice-Over.00_03_35_19.Still001.jpg\" width=\"1024\" height=\"576\" alt=\"\" title=\"Case 2304 Triennale Voice Over.00_03_35_19.Still001\" \/>\n      <\/noscript><\/div><figcaption hidden=\"\"><\/figcaption><\/figure><\/div><\/div><div class=\"vce-text-block\"><div class=\"vce-text-block-wrapper vce\" id=\"el-d277fcf6\" data-vce-do-apply=\"all el-d277fcf6\"><div><p><noscript><\/p>\n<style>.vce-row-container .vcv-lozad {display: none}<\/style>\n<p><\/noscript><noscript><\/p>\n<style> .wpb_animate_when_almost_visible { opacity: 1; }<\/style>\n<p<\/noscript><\/p><p>\"I came away from the 64th edition of LFF thinking hard about what it takes to make a genuinely emancipatory movie \u2014 or to tell a tale of freedom that is true to its own espoused values. Sometimes the answer can be deceptively simple. In Raoul Peck\u2019s words, \u201cWe don\u2019t have to re-invent the wheel \u2014 there are plenty of wheels!\u201d A.S.M. Kobayashi\u2019s elegant and hard-hitting short film <i>File No. 2034<\/i> is an example of how going back and simply looking at the past, and an archive, with fresh eyes, can be transformative. Kobayashi is an artist who has spent her career reinterpreting other people\u2019s found objects, but in confronting her family\u2019s past through a single microfilm file, she manages to perform a radical reckoning with Canadian history. The restitution of misappropriated artefacts; the re-situation and reinterpretation of an archive; reviving the voices of people, objects and spirits that have been silent for too long \u2014 these are impulses which for me, united some of most interesting and liberatory work at LFF. \"<\/p><p>\u2014<span class=\"cb-title-fi\">Nasheed Qamar Faruqi<\/span><\/p><\/div><div><p>&nbsp;<\/p><p><a href=\"https:\/\/www.sensesofcinema.com\/2025\/festival-reports\/looking-for-liberation-68th-london-film-festival\/\">Read the Full Article<\/a><\/p><\/div><div>&nbsp;<\/div><p>&nbsp;<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vce-row-container\" data-vce-boxed-width=\"true\"><div class=\"vce-row vce-row--col-gap-30 vce-row-equal-height vce-row-content--top\" id=\"el-e4d3bfb9\" data-vce-do-apply=\"all el-e4d3bfb9\"><div class=\"vce-row-content\" data-vce-element-content=\"true\"><div class=\"vce-col vce-col--md-auto vce-col--xs-1 vce-col--xs-last vce-col--xs-first vce-col--sm-last vce-col--sm-first vce-col--md-last vce-col--lg-last vce-col--xl-last vce-col--md-first vce-col--lg-first vce-col--xl-first\" id=\"el-a3da545f\"><div class=\"vce-col-inner\" data-vce-do-apply=\"border margin background  el-a3da545f\"><div class=\"vce-col-content\" data-vce-element-content=\"true\" data-vce-do-apply=\"padding el-a3da545f\"><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vce-row-container\" data-vce-boxed-width=\"true\"><div class=\"vce-row vce-row--col-gap-30 vce-row-equal-height vce-row-content--top\" id=\"el-52726104\" data-vce-do-apply=\"all el-52726104\"><div class=\"vce-row-content\" data-vce-element-content=\"true\"><div class=\"vce-col vce-col--md-auto vce-col--xs-1 vce-col--xs-last vce-col--xs-first vce-col--sm-last vce-col--sm-first vce-col--md-last vce-col--lg-last vce-col--xl-last vce-col--md-first vce-col--lg-first vce-col--xl-first\" id=\"el-b212c414\"><div class=\"vce-col-inner\" data-vce-do-apply=\"border margin background  el-b212c414\"><div class=\"vce-col-content\" data-vce-element-content=\"true\" data-vce-do-apply=\"padding el-b212c414\"><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[72],"tags":[],"class_list":["post-2532","post","type-post","status-publish","format-standard","hentry","category-press","entry"],"_links":{"self":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/posts\/2532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/comments?post=2532"}],"version-history":[{"count":4,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/posts\/2532\/revisions"}],"predecessor-version":[{"id":2539,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/posts\/2532\/revisions\/2539"}],"wp:attachment":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/media?parent=2532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/categories?post=2532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/tags?post=2532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}