{"id":1418,"date":"2016-10-25T15:03:00","date_gmt":"2016-10-25T23:03:00","guid":{"rendered":"http:\/\/www.asmk.ca\/WP\/?p=1418"},"modified":"2016-11-11T10:55:43","modified_gmt":"2016-11-11T18:55:43","slug":"new-video-in-rites-of-passage-reel-asian-film-festival","status":"publish","type":"post","link":"https:\/\/www.asmk.ca\/WP\/new-video-in-rites-of-passage-reel-asian-film-festival\/","title":{"rendered":"Music is Magic in Rites of Passage, Reel Asian Film Festival"},"content":{"rendered":"
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Sunday November 13, 2016
\n7 pm
\nIsabel Bader Theatre, Toronto<\/p>\n

Buy Tickets
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MUSIC by\u00c2\u00a0Ohbijou (in attendance)<\/p>\n

FILMMAKERS
\nAlison S. M. Kobayashi,\u00c2\u00a0Casey Mecija,\u00c2\u00a0Shasha Nakhai,\u00c2\u00a0Leslie Supnet and\u00c2\u00a0May Truong<\/p>\n

Working from personal home videos, filmmakers Kobayashi, Mecija, Nakhai, Supnet and Truong use experimental editing techniques, animation and documentary interviews to reflect on their understandings of cultural heritage and personal identities through their experiences with love, fear and womanhood.<\/p>\n

This collection of commissioned works will premiere alongside an original live musical score composed by Canadian orchestral pop band Obhijou. In 2013, Ohbijou announced they would go on indefinite hiatus, citing a need for \u00e2\u20ac\u0153time to take pause and allow for new experiences,\u00e2\u20ac\u009d and a discomfort with the way that constructions of otherness had confined readings of their work to a single narrative. Obhijou\u00e2\u20ac\u2122s performance at Reel Asian will be their first time reuniting in three years \u00e2\u20ac\u201c a rare opportunity for fans.<\/p>\n

This project was made possible through funding from the Inter-Action Multiculturalism Program supported by the Department of Canadian Heritage.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Sunday November 13, 2016 7 pm Isabel Bader Theatre, Toronto Buy Tickets MUSIC by\u00c2\u00a0Ohbijou (in attendance) FILMMAKERS Alison S. M. Kobayashi,\u00c2\u00a0Casey Mecija,\u00c2\u00a0Shasha Nakhai,\u00c2\u00a0Leslie Supnet and\u00c2\u00a0May Truong Working from personal home videos, filmmakers Kobayashi, Mecija, Nakhai, Supnet and Truong use experimental editing techniques, animation and documentary interviews to reflect on their understandings of cultural heritage and… Continue reading Music is Magic in Rites of Passage, Reel Asian Film Festival<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1418","post","type-post","status-publish","format-standard","hentry","category-uncategorized","entry"],"_links":{"self":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/posts\/1418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/comments?post=1418"}],"version-history":[{"count":5,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/posts\/1418\/revisions"}],"predecessor-version":[{"id":1425,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/posts\/1418\/revisions\/1425"}],"wp:attachment":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/media?parent=1418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/categories?post=1418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/tags?post=1418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}