{"id":1707,"date":"2021-12-21T07:43:28","date_gmt":"2021-12-21T15:43:28","guid":{"rendered":"https:\/\/www.asmk.ca\/WP\/?page_id=1707"},"modified":"2025-08-20T12:53:58","modified_gmt":"2025-08-20T20:53:58","slug":"press","status":"publish","type":"page","link":"https:\/\/www.asmk.ca\/WP\/press\/","title":{"rendered":"Press"},"content":{"rendered":"

The New York Times <\/a>\u2013 Review: Everyday Chatter Unveils a Mystery in \u2018Say Something Bunny!\u2019<\/p>

Vogue <\/a>\u2013 The Best New Theater Experience in Town Is Nowhere Close to Broadway<\/p>

Time Out New York<\/a> \u2013 The top ten theater productions of 2017<\/p>

The New York Times<\/a> \u2013 The Detective Was a Performance Artist. The Evidence Is Now a Show.<\/p>

BOMB Magazine<\/a> \u2014 Best of Performance in 2018<\/p>

American Theater Wing<\/a> \u2013 Working in the Theatre<\/p>

Tablet<\/a> \u2013 New York\u2019s Hottest Indie Theater Show is About a Found Recording of a Jewish Family from the 1950s<\/p>

TimeOut New York<\/a> \u2013 Say Something Bunny! \u2605\u2605\u2605\u2605 Review<\/p>

Hyperallergic <\/a>\u2013 A Performance Digs Into the Family History on a Found 1950s Wire Recorder<\/p>

Georgia Straight<\/a> \u2013 Alison Kobayashi's Electric Neon Clock excavates a long-hidden Japanese internment history<\/p>

Senses of Cinema<\/a> \u2014 Looking for liberation: 68th London Film Festival<\/p>

Art F City<\/a> \u2013 When Facts Become Art: Alison S.M. Kobayashi at Gallery TPW<\/p>

The Brooklyn Rail<\/a> \u2013 In Conversation ALISON S. M. KOBAYASHI and CHRISTOPHER ALLEN with Tess Takahashi<\/p>

BUST Magazine<\/a> \u2013 Performance Artist Alison S.M. Kobayashi Brings Life To A 1950s Found Family Recording In Her One-Woman Show \"Say Something Bunny!\"<\/p>

Theater Mania <\/a>\u2013 Review of Say Something Bunny!<\/p>

YesBroadway<\/a> \u2013 SAW IT...LOVED IT! Say Something Bunny! Review
BUST Magazine \u2013 Performance Artist Alison S.M. Kobayashi Brings Life To A 1950s<\/p>

Huff Post<\/a> \u2013 Alison S.M. Kobayashi Breathes New Life into Found 1950s Wire Recording<\/p>

Playbill <\/a>\u2013 Performer You Should Know: Say Something Bunny!\u2019s Alison S. M. Kobayashi<\/p>

Playbill<\/a> \u2013 Immersive, Sold-Out Solo Show Say Something Bunny! Extends Through Next Year<\/p>

Maxamoo Podcast<\/a> \u2013 Review of Say Something Bunny!<\/p>

NOW Magazine<\/a> \u2013 \u2605\u2605\u2605\u2605\u2605 Found audio fuels Alison S.M. Kobayashi's project at Gallery TPW earns a rare perfect score<\/p>

Theatre Development Fund<\/a> \u2013 Are You Ready for a Resurrection?<\/p>

Theatre is Easy<\/a> \u2013 Review of Say Something Bunny!<\/p>

No Proscenium<\/a> \u2013 Eavesdropping on The Newburge Family in \u2018Say Something Bunny!\u2019 (The NoPro Review)<\/p>

United Solo<\/a> \u2013 Say Something Bunny! Nominated for Special Award
Exeunt\u2013 Say Something Bunny! Review<\/p>

_docubase<\/a> \u2013 Interview with Alison S.M. Kobayashi from MIT's Open Documentary Lab<\/p>

Playbill<\/a> \u2013 The Verdict: Theatre Critics Name the Top Plays and Musicals of 2017<\/p>

Now Magazine<\/a> \u2013 The Toronto visual arts community chooses its favourite shows of 2016<\/p>

The Kickstarter Blog<\/a> \u2013 Projects We Loved: 27 of Our Favorite Kickstarter-Funded Projects from 2017<\/p>

Howl Round<\/a> \u2013 A Guide to Constructing Empathy<\/p>

Lighting and Sound America<\/a> \u2013 Say Something Bunny! Review<\/p>

Jewcy <\/a>\u2013 Jewcy Interviews: \u2018Say Something Bunny!\u2019<\/p>

Cornell Alumni News<\/a> - Sound Track<\/p>

Cultural Colectiva<\/a> \u2013 Review of Say Something Bunny!<\/p>

CBC<\/a> \u2013 Hybrid media experiments with CBC Radio's Sook-Yin Lee<\/p>

NoPro Podcast<\/a> \u2013 Interview with Alison S. M. Kobayashi<\/p>

Interludes<\/a> \u2013 THE HANGOVER REPORT \u2013 Alison S.M. Kobayashi\u2019s obsessive SAY SOMETHING BUNNY! is pure genius<\/p>

Off Off Online<\/a> \u2013 Review of Say Something Bunny<\/p>

Nerd Appropriate Podcast<\/a> \u2013 Say Something Bunny!<\/p>

Where.ca<\/a> \u2013 Alison S.M. Kobayashi Fills in a Family\u2019s Blanks at Gallery TPW<\/p>

City Guide<\/a> \u2013 11 Immersive Theatre Experiences in NYC
Columbia Oral History MA<\/a> \u2013 Review: Say Something Bunny!<\/p>

L\u2019accessibilit\u00e9 au c\u0153ur de l\u2019\u00e9v\u00e9nement d\u2019art contemporain Nuit blanche \u00e0 Toronto<\/a>, CBC Radio Canada<\/p>

BROKEN PENCIL, Indie Events: Hanging Out In Deephaven by Alison Lang, 2014.<\/p>

SHAMELESS MAGAZINE, Feminist Art Gallery by Kate-Christine Miller, 2011.<\/p>

Definitely Not the Opera<\/a> \u2013 Interviewed by Sook-Yin Lee, March 13, 2010.
The Coast, Review of Lies That Tell the Truth by Jaime Forsythe, 2011.<\/p>

Esse Magazine \u2013 Review of Motelisation Exhibition, Foreman Gallery, Sherbrooke.
Filmmaker Magazine<\/a> \u2013 \u201cMigrating Talents: Inside the Flaherty Seminar\u201d<\/p>

SF360<\/a> \u2013 Chi-hui Yang, \"Flaherty diary: A week in the Age of Migration,\" July 18, 2008.<\/p>

The Varsity Magazine Chandler Levack, \u201cToronto\u2019s TOP 25- 25 or under,\u201d 2008.<\/p>

BlogTO<\/a> \u2013 The Toronto Portraits- Alison S. M. Kobayashi<\/p>

Now Magazine<\/a> \u2013 Cameron Bailey, Top 10 Toronto Locals<\/p>

CBC's Metro Morning \u2013 Interviewed by Tori Allen<\/p>

Eye Weekly \u2013 David Balzer, \"Eye Candy: Contemporary Works on Paper<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

The New York Times \u2013 Review: Everyday Chatter Unveils a Mystery in \u2018Say Something Bunny!\u2019Vogue \u2013 The Best New Theater Experience in Town Is Nowhere Close to BroadwayTime Out New York \u2013 The top ten theater productions of 2017The New York Times \u2013 The Detective Was a Performance Artist. The Evidence Is Now a Show.BOMB… Continue reading Press<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1707","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/pages\/1707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/comments?post=1707"}],"version-history":[{"count":12,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/pages\/1707\/revisions"}],"predecessor-version":[{"id":2594,"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/pages\/1707\/revisions\/2594"}],"wp:attachment":[{"href":"https:\/\/www.asmk.ca\/WP\/wp-json\/wp\/v2\/media?parent=1707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}